the m john harrison blog

catch-up

Some reminders & updates: I’m at Totleigh Barton on Thursday (23rd Oct) to read for my supper at Liz Jensen & Simon Ings’ SF course; Birmingham Library on the 30th October, to remember Joel Lane & read from SALT’s Best British Short Stories 2014; Manchester (John Rylands) Library in December with the Curious Tales team. An exciting talk possibility has turned up for next autumn, I’ll keep you informed; and having missed Claire-Jane Carter & Tess Lyons’ Hagglers Corner event in Sheffield (not to say missing the chance to meet the frighteningly determined Nick Bullock) on Saturday (25th October), I’m hoping to contribute to whatever they do next–news on that if & when. If you’d like to pay me to read something, or do some other kind of appearance, leave a comment here or follow @mjohnharrison on Twitter and DM me. New & recently available stories: “The 4th Domain” is up at Kindle Single (where you can still get “Cave & Julia”; if you missed the delightful Night Jar Press edition of “Getting Out of There”, it’s available in the above-mentioned & equally Royle-edited Best British Short Stories 2014, from SALT (both paper and electronic); “Animals”, an untraditional traditional ghost story, will appear at Christmas in the Curious Tales anthology Poor Souls’ Light. I’m thinking of saving “The Crisis”, which I debuted at Warwick U’s Irradiating the Object conference, as a kind of bonus for the new collection, which will contain a couple of other previously unpublished and similarly raw items. There’s progress on that, including a new and I hope final title, but I’m still trying to finish The Last Viriconium Story to go in it, so don’t necessarily hold your breath. The new novel is looking round so many different corners at once that I couldn’t tell you anything about it anyway.

the step-aside

N tells us he is able to step aside from the world.

“It’s a trick I learned early,” he says. He learned by exploiting various childhood states. “Being ill, for instance. Or having your parents die: anything that gives you special privileges in terms of not taking part. Later, as an adult, it’s someone else being ill, but you don’t have to look after them. You don’t have the bore of that, you just have to turn up at the hospital with flowers. Births, marriages and deaths. If you learn to distance yourself from other people’s funerals, you’ll eventually learn how to step aside from your own.”

He believes that anything which reduces guilt or responsibility, the anxiety of having to fit in, can be turned into the ability to step aside.

“I don’t fade, I don’t lose anything. It’s not a question of purchase on things. There doesn’t seem to be a down side.” He smiles ruefully. “On the other hand, it isn’t much good for anything but itself.”

What is the step-aside experience like?

There’s a poverty of interpretation, N believes. “We have the traditional guidelines,” but these allow us to imagine only two possibilities: “a world of your own” in which the detached “you” has agency but which contains no possibility of contact with others; or a world in which everyone else is seen as if through a window, by an individual who has no agency. “It’s as if people can’t think up any other possible way of being. Both states emphasise loss of ‘true’ purpose, human purpose.”

As he speaks we hear his voice fade, as if he’s walking away down a corridor. “But I don’t find it like that at all.”

The truth was simpler. Originally they had leaked into our world from the astral plane.

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Break glass if you are not experiencing a secondary world.

writerly advice

I once lived for a couple of years with another novelist. At that time I played the lottery. Every time I bought a ticket she would complain, “Why are you doing that? We’re writers. We already play the lottery.” That was her experience of the trade.

into the valley

Everything is uncanny valley at the moment. I have no real idea of the political shape. Things are about to reveal themselves as having gone badly wrong. I’m only certain that while we think we understand what’s happening, we don’t. The descriptive systems we’re used to are about to stop working–they may already have stopped working. I feel the way I did in the mid-to-late ’70s–that the ideas I get for weird fiction understand the political situation better than I do. They have a connection to some great sore lump of political material we’re too rational to see. It’s implied by events, but at the moment we are only looking at the events. Given what happened in the mid-to-late ’70s, I’m not comfortable with this feeling.

new story

“The Fourth Domain” is up at Kindle Single now.

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Most of the time, contrary to popular belief, it’s quite restful to live in the zone between opposites. No one else wants to be there much, & you always have a clear view of bad weather blowing in. But there are also days when something in the distance reminds you quite suddenly of Howard Devoto.

bannnnner-fény

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