mexican death tv

My writing desk is a long, solid structure made of two thuggy planks– stained, knocked about, but having in places of high wear (the mousing area, for instance) a buttery patina–supported on a timber frame. It runs under the window for nearly eight feet, but I tuck myself into one end of that as if embarrassed or overpowered by such an executive allocation of space. It was originally a photographer’s bench, I think; equally, you could rebuild an engine on it if anyone did that anymore. It’s not mine, it was here when I arrived in 1998, but it’s the most satisfying desk I’ve ever had. My ideal is to keep it bare of everything but the engine of the Mac. No pens, paper, books, nothing to remind me of what I do for a living except the screen, the writing space itself; above all, no clutter. But I do not fool myself that this aesthetic is actually available. Stuff is all over, all the things mentioned plus: wires, dust, iPods, earbuds, hard drives, CDs, souvenirs including Mexican Death TV, two elephants, brass lizard, wire lizard, big brass tray of beach pebbles pine cones shells etc, a Thai fish, glass pigs & an ash tray with horses on it nearly 40 years old. I have some good photographs of the bench, & I would put one up here but they also feature S’s daughters, who were doing some tidying up at the time, & I would rather get everyone’s permission first. This morning I’m sitting here on an Ikea swivel chair ten years old–called a Ronni or a Bobsu or a Cummi or something–with the cloth peeled away to reveal rotting foam. I am wearing a Rab double-pile jacket over a merino wool base-layer, & my red Buff in its beanie mode. It’s cold. An extra roof has appeared in the street, a snow-covered Luton van leaning up against a tree like a container abandoned in the corner of a field. No one can park sensibly in West London, home of double-parking for an hour in a street already lined on both sides with 4x4s, your driver-door open & engine running while you chat in the porch of a nice little workingman’s cottage, your honking voices penetrating all the way to Hammersmith & beyond causing shivers of rage & terror in the poor people who don’t know how to push for the things they want or even look after themselves properly.

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6 Responses to mexican death tv

  1. Those last would be you, then.

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  3. Those last would be the contents of the conversation in the porch, verbatim. It’s a pov flip.

  4. Evan

    I feel it too, at a small mahogany thing in the center of the room, bought second hand, on the upslope of a coffee rush, wondering if I lean too heavily on it now. All my characters, scratched celluloid, have not the vigor to swim against some fabricated river of purpose. I have released it in fits of pretense. There goes Hugo Trance, innards missing, falling like – he’s falling like a helicopter seed from a maple tree branch, spinning inevitable down, but with style. How imminent the ground is for all things that fly. “A Day in the Life” over and over: life as whimsy, or the relation of intensely serious implications with the primal knowledge—you know—that nothing is real, but I just had to look…

    And Mike, what’s the worth of all this dreamstuff?

  5. My desk, which aspires to be as clear and uncluttered as yours would be but has become as messy as yours also winds up, is the old dining table from the house in which I grew up. I have eaten thousands of meals from this table and now I work at it in order to put food on another, newer table that stands in the kitchen downstairs.

  6. Hi Nick. I don’t know if I could manage that amount of continuity. I like my own continuities, but I like them interrupted too. The only other desk I can remember using was the one before this, a very nice table* I bought from Heals in 1991. It’s been in storage for 12 years.

    I’m fascinated by the idea of putting periods of your life in storage for such a long time you forget them. It’s a productive repression–when you experience the return of the repressed, you experience it as the act of writing & the content of the fiction. Memories come back not as memories but in inexplicable actions or feelings, mysterious nostalgias, psychosomatic jolts & shocks of disguised language.

    I resent the healing power of understanding & acknowledging the past… I wouldn’t want a “healthy” relationship with it…

    *Added later: I see I’ve already blogged this, describing it as, “a nice John Lewis table 1.5 metres on a side, two years old or less when I stored it.” At the moment, I definitely lean towards Heals & 1991, not John Lewis & 1996. Am I cast down by this failure of memory ? On the contrary.