what’s the story

by uzwi

I care so little about the content of this paragraph that, I warn you, I am just not interested in talking about it–

My reading of Brown, from talking to ministers, is that he did have a period of near-meltdown – when he realised that the wheels were coming off his premiership, and he was staring into the political abyss – but has partly recovered since. He is clearly tougher than those ministers who were plotting against him, but proved themselves serial wincers and flinchers. He has found, once again, a story to tell. [My emphasis; & the quote is from here.]

–but look at that last sentence. I feel contempt for the “story” of things. It is a horrible, patronising, 90s notion. Being told stories is precisely what led to my electoral apathy in the first place. Not to say my sense that the contemporary fourth estate, with its desperate profusion of narratives, narratives of narratives & meta-narratives of those narratives, is more trouble to the user than it’s worth.

Why would I vote for people who admit they’re selling me a story ? I would be voting to continue living in this willed dream in which everyone knows they’re a fiction supported by fictions but seems unable to do anything about it. Once she has written the last sentence of the paragraph above, the only possible response to Jackie Ashley is this: Now that, between you, you’ve fictionalised everything–now that you’ve reduced everything to what even the saddest adult-fantasy consumer would recognise as a “secondary world” –now that you’ve answered the question “What’s the story ?” by admitting that the story is the story–why should I bother ?

I’m not even angry, really. The only thing that still rankles is the damage to the reputation of my own medium. In their pursuit of “a story to tell”, the politicians, the lobbyists, the brand managers, the cultural academics, the chattering classes & the news media have done almost as much as Hollywood & Joseph Campbell to bring the entire concept of fiction into disrepute.

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