the m john harrison blog

Tag: landscape

fauxthentication

However complete a fauxthentication is, it can’t actually be a world–-therefore the criticism, “This novel is still not fully & properly fauxthenticated” is always possible. The constant bolstering of the “world” constantly reveals it not to be one, ie reveals it never to be complete the way the world is. This seems to say more about the limits of writing & the act of suspension of disbelief (an immersion which can clearly be brought about in other ways) than it does about the actual need for a world to seem to be present in front of the reader. Also, it strikes me as a bit mad to be a fiction writer if you have to struggle so desperately to pretend you’re not. There’s some kind of guilt trip behind that. Fauxthentication seems like an attempt to deny your position as someone who makes things up.

poor soul’s light

Further developments at the Curious Tales site. Good to see another tribute to Robert Aickman in this anniversary year. Part of “Animals”, my contribution to the project, was originally told to Lara Pawson, Julian Richards, Dan Jones & Cath Phillips in a spooky house overlooking Treyarnon Bay in Cornwall in, I think, 2005. Or perhaps it was 2006. Lara & Dan told stories too, as a result of which I had difficulty sleeping for the rest of the week. There’s another story–involving kites, Fulham-on-Sea & something called “balsamic cream” –to be made from the same holiday; but at nine years & counting it’s a bit slow in coming together even for me.

nant ffrancon

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i seen things in wales

The hair of the Dead Boys of Bangor beneath the surface of Lynn Ogwen, as they stream east towards the Siabod Cafe for a late breakfast of sausage & eggs.

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the magic of a north-facing scarp

Down to the Iron Bridge. Upstream along the abandoned railway to the power station. Three hundred feet up from there via the first set of wooden steps to the top of Benthall Edge. Over a fence and into Patten’s Rock quarry; out of the quarry and into the woods. Down steep slopes between fallen trees, abandoned lime pits and rotted-looking streams. The light on the moss here is beyond being described as “radioactive”, “fluorescent” or any of those kinds of words. You can’t think of a thing to say except that another world is inside things or implied by things; and you’ve said that before, so many times, and you can never take yourself at your word. One of the pits features a twenty or thirty foot waterfall, less picturesque than it sounds. A further steep diagonal descent across the scarp–black mud under dead leaves, sphagnum moss and hartstongue fern–leads back to the railway line; immediately climb the shorter set of wooden steps up to Workhouse Coppice. Emerge on Spout Lane. Back to the town via Quarry Road. In a garden on Bridge Road I saw a thrush with a beak full of nesting materials. My knee’s a bit sore and I think life owes me a sausage roll.

it wasn’t me

Two days ago there was nothing wrong with this gate.

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I looked for large footprints but found none.

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get out for a walk

while you still can.

“National Parks are extensive tracts of country that are protected by law for future generations because of their natural beauty and for the opportunities they offer for open air recreation.” –YouGov
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Stop the Tories using a false housing crisis to break the National Parks Act.

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