In every move of the camera, every gesture of the presenter, every line of the script, you receive not what is being communicated but the discussions, arguments and decisions made in the production & directorial meetings. Fiction or nonfiction, what you view isn’t the apparent content, it’s the decisions of the makers expressed as a series of commentaries on the technical constraints & professional choices open to them when making the programme. What is communicated is only an excuse for this commentary, which seems more & more blatant, more & more part of each item. I am not trying to describe the result of ideology here, but the result of a profession’s self-absorption, the insiderism of having a professionalised view. The only trade with more sense of itself as its own subject matter, more awareness of the mirror, is that queen of sciences, politics.