Tag Archives: the Theory Cadre at the Ambiente Hotel

occupant of room 121

Few medical procedures are neccessary to maintain an occupancy once it is established. A bucket of disinfectant every two days, one or two injections of penicillin. The wiring, the other technical procedures, even the selection of the original subject all seem to have a preservative effect. What is meant by this ? Well, not simply that the more durable guests are chosen. In fact the reverse can be said: being chosen actually confers a quality of spiritual endurance the guest may not have possessed in ordinary life. Of course a certain physical toughness is also necessary, and guests can often surprise in that respect. Some won’t survive the first two or three days; those I always recognise, and dispose of quickly. But others seem so frail and last so long.

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core membership

(1) R.I. Gaines, a photograph taken in Oaxaca within the last ten years.

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A team led by Lisi Fearnall established that the painted image displays “gains & losses of clarity” on a twelve day cycle. (“Though it is always sharper and brighter,” Fearnall reported to a private session of the Steering Committee, “whenever the vehicle is present.” Fearnall, emphasising the complexity of the physics, dismisses the view that R.I. Gaines is actually in the wall.)

& more here.

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data gathered in Room 121

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September 24, 2013 · 9:52 am

children welcome

Guests, normally kept in the most humane of conditions elsewhere in the hotel, are sometimes encouraged to leave their quarters and practise their skills in the public areas. They are surprisingly gifted! Talents include karaoke, balancing small items on their edges, and a kind of dance particular to the Midlands. Children are always welcome. Here, two guests can be seen enjoying their liberty in the upstairs back bar on Two for One Tuesday–

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Well done!

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seasonal greetings

To all our permanent residents, from Alyssia Fignall & the staff at the Ambiente Hotel!

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paragraph from a manuscript found in room 121, the Ambiente Hotel

Learn to exactly mimic having written a story, an ageing science fiction hack once advised me: then learn to write a story in a way that exactly mimics having written a different one. Write each separate sentence, paragraph & chapter of every book as if they’re mimicking some other sentence, paragraph or chapter. Soon there’s this odd, constant sense of implication in the text. It seems loaded. It seems like the alienated echo of something else. That something else is your gift to the reader. Your gift to the reader isn’t a lot of words. It’s to have a grasp of syntax & inflexion that lets you load more into the text than it seems to be able to accomodate. He’s dead now of course, his books passed over as ragtime & illiterate, but I’ve taken up where he left off.

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the traffic of the spectacular

Narrative structure, AE Fennel has always believed, is the trunk route of the spectacle. Free flow of the spectacular is as neccessary to a well-built secondary world as it is to a well-run modern state. Therefore, in every “story” our ambition should be the calculated failure of service, the single perfect interruption of traffic. “Failing that,” AE advises the Wednesday evening workshop in the refectory of the Ambiente Hotel’s Cultural Wing & Conference Centre, “do at least try to dig a pothole in the road.”

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the vacuous-realist image at the Ambiente Hotel

Guests enjoy a drink & a discussion in the back bar.

Cars may now be parked!

Left: members of the 1935 Temporary Architectonics Committee (Closed) discuss Alyssa Emmelin Fankel’s theory of the vacuous-realist image at an informal workshop during the Easter recess.

[Lecture, "AE Fankle: Interrogating the continuity of human behaviour", to follow. Book early.]

CARS PARKED AT OWN RISK. Ask Mary for the key.

Please do not distribute leaflets.

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the sealed door

An addition to the Archives.

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the library at the Ambiente Hotel

For some years a sub-basement beneath the hotel’s parking facility was used to store texts generated by the guests. These, ranging from thin volumes of verse to literary horror novels the thousand pages of which might be read in any order, were discovered in predictable circumstances: an immaculately tidy room with fifty years of stored nail clippings & a mysteriously opened window; urgent written or recorded warnings against reading or even turning the pages of the manuscript; the death, wandering-off or unexplained evaporation of the writer in circumstances which suggested they too had been an item in a text. During the pre-war period, the Theory Cadre threw open this library three times a year, but though its contents drew visitors from most major universities, no scholarship emerged & in May 1946 the sub-basement, along with the passage that leads to it, was sealed.Elements of the Closed Architectonics Committee of the Theory Cadre visit Le Tourniquet, circa 1930.

Access the hotel archives.

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