Sommer, Somerfield, Deakin

by uzwi

John Timberlake recommended Frederick Sommer’s photography & now I’m obsessed by this chicken. Some of John’s own work can be seen here.

Roger Deakin writes on page four of Waterlog (1999):

    “Most of us live in a world where more and more places and things are signposted, labelled, and officially ‘interpreted’. There is something about this that is turning the reality of things into virtual reality. It is the reason why walking and cycling and swimming will always be subversive activities.”

Within a decade, wholly driven by the success of Waterlog, the media cult of “wild swimming” had taken off & was well into the process of commodification & interpretation. Significant points along Deakin’s journey–easily-available pools, beaches & rivers–were becoming stations of the wild swimming cross. You could buy a wild swimming holiday, a score of wild swimming guides & DVDs. Stratification of ambition had set in: some wild swims were clearly wilder than others. Soon you could buy a logbook in which to record your wild swimming ticks. Waterlog abounds in so many sad ironies of this kind I’m not sure I can re-read it. (At date of first publication, he was already wrong about walking & cycling, which had become part of the signposted, packaged & commodified outdoors–the indoor outdoors–long before.)

Finally today, a very short story in the New Weird mode, from an observation of Claire Marshall’s: “It seems darker than other supermarkets.”