martin, knights, wallinger

Went to see the Martins at the Tate & on the way out became interested in The Deluge, a coolly stylised disaster by Winifred Knights. Nice contrast. But both Knights & Martin were trumped by Mark Wallinger’s Threshold to the Kingdom, in which Miserere Mei, Deus plays over a slow motion visual of travellers emerging from the International Arrivals door at London City airport.