Listen, and it’s steady straight-down rain. No wind. A car halts at the corner, pulls away in acknowledgement of its own muffled existence. Tyre noise louder than engine noise. Against this, the tendency of things to be. The rims and ribs of terracotta pots hard and slick with light. Roofs like mirrors. The bricks suck up water. Everything supported by the perfect angle of a drainpipe. This afternoon Barnes is quiet. This afternoon every garden plant is one uncanny green or another. The visitors ring the bell, wait in the doorway, too polite to come in immediately but chatter a lot when they do. They are nice. Their children always have some new practical thing, less a toy than the beginnings of a fruitful lifetime interest. Without warning (an act in itself 100% pure communication) the camera cuts away from this: very fast, upwards, turning in a series of vertical 180 degree snap rolls, so that first you see the world kaleidoscoping rapidly from a thousand feet up, then from low orbit. By the time everything’s returned to the right scale again, the rain has stopped and the sun is coming out.