ceremony & pathology of the blessed angel of our country
“Sometimes as it blows across the Great Brown Waste in summer, the wind will uncover a bit of petrified wood. Mammy Vooley’s head had the shape and the shiny grey look of wood like that. It was provided with one good eye, as if at one time it had grown round a glass marble streaked with milky blue. She bobbed it stiffly right and left to the crowds: who stood to watch her approach; knelt as she passed; and stood up again behind her. Her bearers grunted patiently under the weigh of the pole that bore her up. As they brought her slowly closer it could be seen that her dress–so curved between her bony, strangely-articulated knees that dead leaves, lumps of plaster and crusts of wholemeal bread had gathered in her lap–was russet-orange; and that she wore askew on the top of her head a hank of faded purple hair, wispy and fine like a very old woman’s. Mammy Vooley, celebrating with black banners and young women chanting; Mammy Vooley, Queen of Uroconium, Moderator of the city; as silent as a log of wood.” [The Luck in the Head, 1982, from Viriconium, also in audio download.]
Mammy Vooley is a worthy consort for Pa Ubu.
Or rather, Baron Samedi. Pa Ubu’s too much like a grocer.
I bought the original of the Procession of the Mammy from Ian a couple of years ago. I’ll light a votive candle beneath her image tonight for you. Ora pro nobis …